Reading List for Seminar 4
Amīn, Khālid; Laamiri, Mohammed (Eds.) (2010) Performing cultural diversity;Critiquing postcolonialism. 1st ed. Tetouan: Universite Abdelmalek Essaadi, Faculty of Letters and Humanities, Research Group of Performance Studies (Series: Conderences and colloquia). (recommended by Lisa Gaupp)
Appignanesi, R., (2012) Thoughts on Cultural Diversity, Contemporaneity andGlobalisation. In: Changing Perspectives. Dealing with Globalisation in thePresentation and Collection of Contemporary Art, ed. by M. ter Horst, 86-90.Amsterdam: KIT Publishers. (recommended by Lisa Gaupp)
Bhabha, Homi K. (2004) The location of culture, London: Routledge (recommended by Gudrun Wallenböck)
Brault, Simon/Loft ,Steven (2017) Choosing change and reconciliation in the arts
https://beta.theglobeandmail.com/opinion/choosing-change-and-reconciliation-in-the-arts/article36201909/?ref=http://www.theglobeandmail.com& (recommended by Ruhi Jhunjhunwala and Amy Walker)
Butler, J. (2010) Performative Agency. Journal of Cultural Economy, 3 (2), 147–161 (recommended by Mafalda Damaso)
Defourmantelle, A. (2000) Of hospitality – Anne Defourmantelle invites Jacques Derrida to respond, USA: Stanford, California, Stanford University Press. (recommended by Mihai Florea)
Deleuze, G. (2004) Desert Islands and Other texts, USA: Los Angeles, New York, Semiotext(e). (recommended by Mihai Florea)
Charles Dorn (2004) The Deterritorialization of Art, The Journal of Arts Management, Law, and Society, 34:2, 141-150. (Recommended by Lisa Gaupp)
Essig, Linda (2014) Arts Incubators: A Typology https://www.researchgate.net/publication/265383776_Arts_Incubators_A_Typology (recommended by Kristin Cheung)
Fischer-Lichte, Erika / Jost, Torsten / Jain, Saskya Iris (Eds.) (2014) The Politics ofInterweaving Performance Cultures. Beyond Postcolonialism. Routledge New York /London. (recommended by Lisa Gaupp)
Flusser, V. (2002) Writings; Stohl, Andreas (ed.), USA: Minneapolis, University of Minnesota Press. (recommended by Mihai Florea)
Gaupp, Lisa (2016) Die exotisierte Stadt – Kulturpolitik und Musikvermittlung im postmigrantischen Prozess. Hildesheim: Universitatsverlag Hildesheim/Hildesheim,Zurich, New York: Georg Olms Verlag (Center for World Music – Studies in Music; Bd.1). Open Access Download: https://hildok.bszbw.de/frontdoor/index/index/docId/547 (recommended by Lisa Gaupp)
Gielen, Pascal (2010) The Art Institution in a Globalizing World, The Journal of Arts Management, Law, and Society, 40:4, 279-296. (recommended by Lisa Gaupp)
Glissant, Eduard (2005) Kultur und Identität, Heidelberg: Das Wunderhorn, Heidelberg (Original: Eduard Glissant: „Introduction á une poétique du divers“.) (recommended by Gudrun Wallenböck)
Glissant E. (2010) Poetics of Relation. Ann Arbor: University of Michigan Press. (recommended by Mafalda Damaso)
Guattari, F. (2006) The Anti-Oedipus Papers, USA: Los Angeles, New York, Semiotext(e). (recommended by Mihai Florea)
Hampel, Annika (2017): Fair Cooperation? Partnership-based Cooperation in Cultural Policy & Cultural Management, in: Dragićević Šešić, Milena (ed.), Global Culture: Arts, Festivals and Geopolitics, Ministry of Culture Republic of Serbia & University of Arts, Belgrade, 2017, pp. 89 -107. (recommended by Raphaela Henze)
Henze, Raphaela (2017): Why we have to overcome paternalism in times of populism, in: Dragićević Šešić, Milena (ed.), Global Culture: Arts, Festivals and Geopolitics, Ministry of Culture Republic of Serbia & University of Arts, Belgrade, 2017, pp. 73 – 88. (recommended by Raphaela Henze)
Henze, Raphaela (2016), Einführung in das Internationale Kulturmanagement, Springer VS, Wiesbaden. (recommended by Raphaela Henze)
Hesmondhalgh, D. & Saha, A (2013) “Race, Ethnicity, and Cultural Production”, Popular Communication, 11(3), pp179-195.
Tehran / Vienna / Lahore / Islamabad, 2016, hinterland, Vienna. (recommended by Gudrun Wallenböck)
hinterland (2016) Being Kurdish“, Vienna, 2015, hinterland, Vienna. (recommended by Gudrun Wallenböck)
Julien, François (2016) Il n’y a pas d’identité culturelle, L’Herne, Paris. (recommended by Karsten Xuereb and Mafalda Damaso)
Kaasila-Pakanen, A. L. (2015). A Postcolonial Deconstruction of Diversity Management and Multiculturalism. The Oxford Handbook of Diversity in Organizations, 175.(Recommended by Lisa Gaupp)
Knüsel, Pius (2014) A slippery slope – state, the arts and international reconciliation, in: Exporting Culture – Which role for Europe in a Global World?
Raphaela Henze/Gernot Wolfram (eds.), Springer VS, Wiesbaden, pp. 97 – 109. (recommended by Raphaela Henze)
Lind, Maria (Ed.) (2012) Performing the Curatorial. Within and Beyond Art. SternbergPress: Berlin. (recommended by Lisa Gaupp)
Malik, S. (2013). “Creative Diversity”: UK Public Service Broadcasting after Multiculturalism. Popular Communication, 11(3), 227-241.(Recommended by Victoria Durrer)
Mattocks, K. (2017, forthcoming) ‘Uniting the nations of Europe? Exploring the European Union’s cultural policy agenda’. In Durrer, V., Miller, T., O’Brien, D (eds.). The Routledge Handbook of Global Cultural Policy. London: Routledge, 397–413 (recommended by Mafalda Damaso)
Mitchell, Jon P. (2002) Ambivalent Europeans. Ritual, Memory and the Public Sphere in Malta, London: Routledge, London. (recommended by Karsten Xuereb)
Modood, Tariq (2017): Intercultural Public Intellectual Engagement, in: Mansouri, Fethi (ed.), Interculturalism at the Crossroads. Comparative Perspectives on Concepts, Policies and Practices, UNESCO 2017, Paris, France, pp. 83 – 102. (recommended by Raphaela Henze)
Monitoring and Advisory Panel (2017) Valletta European Capital of Culture 2018: Second Monitoring Meeting, Brussels. (recommended by Karsten Xuereb)
O’Brien, Dave/Kim, Allen/Sam Friedman/Anamik Saha (2017): Producing and Consuming Inequality: A Cultural Sociology of the Cultural Industries, Cultural Sociology 2017, Vol. 11(3) 271– 282. (recommended by Anamik Saha)
Obrist Hans Ulrich (2008) „A brief history of curating, Zurich: JRP Ringier Kunstverlag, Zurich http://www.on-curating.org (recommended by Gudrun Wallenböck)
Proctor, L. M. (2014). English and globalization in India: The fractal nature of discourse. Journal of Linguistic Anthropology, 24(3), 294-314.
Saha, Anamik (2013) ‘Curry Tales’: The production of ‘race’ and ethnicity in cultural industries, http://journals.sagepub.com/doi/abs/10.1177/1468796813487829 (recommended by Anamik Saha)
Rösler, B. (2015) “The case of Asialink’s arts residency program: towards a critical cosmopolitan approach to cultural diplomacy”, International Journal of Cultural Policy, 21(4), pp463-477. (Recommended by Victoria Durrer)
Rowntree, J., Neal, L., and Fenton, R. (2010) International Cultural Leadership: Reflections, Competencies and Interviews, London: Cultural Leadership Programme.
Available at: http://creativeconomy.britishcouncil.org/media/uploads/files/International_Cultural_Leadership_report.pdf [Accessed: 11 February 2016] (Recommended by Victoria Durrer)
Said, Edward (2003) Orientalism, London: Penguin Classics. (recommended by Gudrun Wallenböck)
Sauvagnargues, A. (2016) Artmachines: Deleuze, Guattari, Simondon, UK: Edinburgh, University of Edinburgh Press. (recommended by Mihai Florea)
Smith et al. (Eds.) (2008) Antinomies of Art and Culture. Modernity, Postmodernity,Contemporanity, Durham/London: Duke University Press
Von Bismarck, Beatrice/Schafaff, Jorn/Weski, Thomas (Eds.) 2012: Cultures of the Curatorial. Sternberg Press: Berlin. (recommended by Lisa Gaupp)
Stein, T. (2000) Creating Opportunities for People of Color in Performing Arts Management, The Journal of Arts Management, Law, and Society, 29:4, 304-31.
Tolia-Kelly, D. P. (2016). Feeling and Being at the (Postcolonial) Museum: Presencing the Affective Politics of ‘Race’and Culture. Sociology, 50(5), 896-912.(recommended by Lisa Gaupp)
Vertovec, S. (Ed.). (2014). Routledge international handbook of diversity studies. Routledge.(Recommended by Lisa Gaupp)
Xuereb, Karsten (2016) ‘Can nation branding be a successful tool for the practice of public diplomacy? A Maltese case study’, Place Branding and Public Diplomacy https://doi.org/10.1057/pb.2016.7 (recommended by Karsten Xuereb)
More Online Sources:
About the Global Cultural Leadership Programme: (recommended by Ruhi Jhunjhunwala and Amy Walker)
European Commission’s Joint Communication to the European Parliament and the Council: Towards an EU strategy for international cultural relations: (recommended by Ruhi Jhunjhunwala and Amy Walker)
British Council, Our Strategy for the Arts (recommended by Ruhi Jhunjhunwala and Amy Walker)
Background on India’s Cultural Policy: (recommended by Ruhi Jhunjhunwala and Amy Walker)
“Canada Council for the Arts confronts cultural appropriation in ‘post-Truth and Reconciliation era’” – a news article giving more context on the above:
(recommended by Ruhi Jhunjhunwala and Amy Walker)
Artnet – Where Social Media Sensation Kimberly Drew Sees the Art World in 10 Years (recommended by Kristin Cheung)
Huffington Post – Five Macro Trends That Arts Organizations Need to Watch Tomorrow’s Leaders Need Opportunities for Development and Growth (recommended by Kristin Cheung)
LinkedIn Launches An Incubator To Turn Employees Into Entrepreneurs (recommended Kristin Cheung)
New Yorker – Art of Protest; The Met’s social-media manager, Kimberly Drew, on the evolution of her popular blog, Black Contemporary Art.(recommended by Kristin Cheung)
Teen Vogue – The Met’s Social Media Manager Kimberly Drew on Black Contemporary Art, Public Speaking, and More (recommended by Kristin Cheung)