General Reading

We are compiling a reading list of relevant literature which will be posted here throughout the duration of the network. Specific reading suggested for each seminar is available on a separate page. Please see the drop down menu under the heading, Literature.

Anheier, H. and Isar, Y.R., 2010. Cultural Expression, Creativity and Innovation, The Cultures and Globalization Series, 3. London: SAGE Publications.

Ashley, S.L., 2016. Re-colonizing spaces of memorializing: The case of the Chattri Indian Memorial, UK. Organization, 23(1), pp.29-46.

Bharucha, R., 2000. The Politics of Cultural Practice: Thinking Through Theatre in an Age of Globalization. London: Athlone Press.

Bennett, T., 1995. The Birth of the Museum: History, Theory, Politics. Abingdon: Routledge.

Bennett, T., 2001. Differing diversities: Transversal study on the theme of cultural policy and cultural diversity. Brussels: Council of Europe.

Brockington, G. ed. 2009.  Internationalism and the Arts in Britain and Europe at the Fin de Siècle. Bern: Peter Lang.

Carty, H. 2014. Democraticising Cultural Institutions—A Challenge for Europe. A Challenge for Culture. In Henze, R., and Wolfram, G., Eds.,  Exporting Culture: Which Role for Europe in a Global World?. Springer Science & Business Media, pp. 63-76.

Caust, J., ed., 2015. Arts and Cultural Leadership in Asia, Abingdon: Routledge.

Cowan, T., 2002. Creative destruction: How Globalisation is Changing the World’s Cultures. Princeton, NJ: Princeton University Press.

Delanty, G., 2009. The Cosmopolitan Imagination. The Renewal of Critical Social Theory. Cambridge: Cambridge University Press.

DeVereaux, C., 2009. Practice versus a discourse of practice in cultural management. The Journal of Arts Management, Law, and Society39(1), pp. 65-72.

Dewey, P. and Wyszomirski, M., 2004. International Issues in Cultural Policy and Administration: A Conceptual Framework for Higher Education” In International Conference on Cultural Policy Research, Montreal, Quebec. Available at: http://neumann. hec. ca/iccpr/PDF_Texts/Dewey_Wyszomirski.Pdf [Accessed 22 Mar 2016]

Dragićević-Šešić, M. and Dragojević, S., 2005. Arts management in turbulent times: Adaptable quality management: Navigating the arts through the winds of change. European Cultural Foundation. Available from: http://theatreforum.in/static/upload/docs/ArtsManagementBook.pdf [Accessed 6 January 2017]

Šešić, M.D. and Dragojević, S., 2006. Imagined or Real Divides?. In Transcultural Europe (pp. 43-56). Palgrave Macmillan UK.

Dragićević-Šešić, M., 2008. New Learning Strategies; Peer learning as the method in the teaching cultural cooperation in Europe. In Vujanović, A. and Šuvaković, M. eds., (responsible editor)TkH 15 – SELF-EDUCATION: “GOAT TRACKS OF SELF-EDUCATION”. Belgrade: Caligraph. Available from: http://www.old.tkh-generator.net/files/casopis/TkH_br_15.pdf [Accessed 6 January 2017]

Dragićević Šešić, M. 2014. Diary from India: Meeting with Remarkable Women. [ONLINE] Available at: http://www.mediantrop.rankomunitic.org/milena-dragicevic-sesic-diary-from-india-meeting-with-remarkable-women. [Accessed 5 January 2017].

Dragićević Šešić, M. and Mihaljinac, N. 2016. ‘Art Management Training and Technical Assistance Mission in the Third World: Political, Humanitarian and Cultural Diplomacy Agendas (MENA Region)’ paper presented at the International Cultural Policy Research conference, Seoul Korea, 7 July .

Durrer, V. and O’Brien, D., 2014. “Rethinking Cultural Intermediaries: Negotiating Boundaries in the Arts. In J. Maguire and J. Matthews, eds. The Cultural Intermediaries Reader. London: Sage, pp. 100 – 112.

Durrer, V., Henze, R.,  Ross, I., 2016. Approaching an Understanding of Arts and Cultural Managers as Intercultural Brokers. Arts Management Quarterly, No 124, pp. 25 – 30. Available at: http://artsmanagement.net/images/file/newsletter/AMN_Quarterly_124.pdf

Gaupp, L., 2016. Die exotisierte Stadt – Kulturpolitik und Musikvermittlung im postmigrantischen Prozess. New York: Georg Olms Verlag.Open Access Download Hildesheim: Universitätsverlag: https://www.uni-hildesheim.de/bibliothek/publizieren/open-access-universitaetsverlag/verlagsprogramm/center-for-world-music-studies-in-music/band-1/ Thesis (Dr. phil.). Hanover University of Music, Drama and Media.

Gaupp, L., Stiehler, M., Zauner, K., 2016. „Wissenschaft, Forschung, Ausbildung, Fortbildung“ – Diskussionsbericht. In: Ermert, K., ed. Chormusikkultur und Migrationsgesellschaft – Erhebungen und Überlegungen zu Kinder- und Jugendchören als Orte transkultureller Teilhabe. Wolfenbüttel: Bundesakademie für Kulturelle Bildung, 179‑186.

Gaupp, L., 2015. Dekonstruktionen des „Anderen“ in Ethnologie und Soziologie – ein Plädoyer für eine postmigrantische Perspektive. Kultursoziologie, 02. 17-33.

Gaupp, L., 2012. Aspekte der Kultur- und Bildungspolitik in institutionellen transkulturellen Kontexten. In: Binas-Preisendörfer, S., Unseld, M., eds. Transkulturelle Musikvermittlung. Möglichkeiten und Herausforderungen in Forschung, Kulturpolitik und musikpädagogischer Praxis. Frankfurt am Main: Verlag Peter Lang, 153-170.

Gaupp, L., 2012. Musik in transkulturellen Kontexten. Eine kulturpolitische Analyse der Stadt Hamburg. In: Loos, H., ed. Musik – Stadt. Traditionen und Perspektiven urbaner Musikkulturen. Leipzig: Gudrun Schröder Verlag, 148-157.

Henze, R., 2014. Kultur im Off, Swiridoff Verlag, Künzelsau

Henze, R., 2014. Kultur und Management – Eine Annäherung, second edition, Springer VS, Wiesbaden

Henze, R., 2015. Internationales Kulturmanagement – Wie international ist unsere Kulturmanagementforschung und Kulturmanagementlehre?,  in KM Magazin, Heft 108, 13 – 17.

Henze, R. 2016. How Globalization affects arts managers. Arts Management Quartely, No. 124, 19 – 25.

Henze, R., 2016. Einführung in das Internationale Kulturmanagement, Springer VS Verlag, Wiesbaden.

Henze, R., and Wolfram, G. 2014. Exporting Culture – Which role for Europe in a Global World? Springer VS, Wiesbaden.

Hesmondhalgh, D. and Saha, A., 2013. Race, Ethnicity, and Cultural Production”. Popular Communication, 11(3), pp. 179-195.

Murji, K. and Solomos, J., eds., 2015. Theories of Race and Ethnicity: Contemporary Debates and Perspectives. Cambridge: Cambridge University Press.

Negus, K., 2002. The Work of Cultural Intermediaries and the Enduring Distance Between Production and Consumption. Cultural Studies, 16(4), pp. 501-515.

Paquette, J., and Redaelli, E., 2015. Arts Management and Cultural Policy Research. Springer.

Rösler, B., 2015. The case of Asialink’s arts residency program: towards a critical cosmopolitan approach to cultural diplomacy. International Journal of Cultural Policy21(4), pp. 463-477.

Ross, I. 2017. The Mobile Theatre Movement in India: a Success Story in Assam. New Theatre Quarterly, 33(1), pp. 65-77.  

Ross, I. 2017. Arts Management the Indian Way: Bangalore’s Ranga Shankara Theatre. International Journal of Arts Management, 19(2), pp. 59-69.   

Rowntree, J., Neal, L., and Fenton, R., 2010. International Cultural Leadership: Reflections, Competencies and Interviews, London: Cultural Leadership Programme.
Available at: http://creativeconomy.britishcouncil.org/media/uploads/files/International_Cultural_Leadership_report.pdf [Accessed: 11 February 2016]

Singh, J., 2010. International Cultural Policies and Power, Basingstoke: Palgrave MacMillan.

Singh, J., 2011. Globalized arts: The entertainment economy and cultural identity, New York: Columbia University Press.

Singh, J.P., 2017. Sweet Talk: Paternalism and Collective Action in North-South Trade Relations. Stanford: Stanford University Press.

Stevenson, D.,  Kann-Rasmussen, N., and Balling, G., 2015. Cultural participation in Europe: Shared problem or shared problematisation? International Journal of Cultural Policy, s. 1-18. DOI: 10.1080/10286632.2015.1043290

Suteu, C., 2006. Another brick in the wall: A critical review of cultural management education in Europe, Amsterdam: Boekmanstudies.

Svašek, M., 2007. The Anthropology Art and Cultural Production: Histories, Themes, Perspectives. Pluto Press.

Svašek, M., 2012.  Moving subjects, moving objects: transnationalism, cultural production and emotions. Vol. 1. Berghahn Books, 2012.

Svašek, M., and Meyer, B., eds., 2016. Creativity in Transition: Politics and Aesthetics of Cultural Production Across the Globe (Vol. 6). Berghahn Books.

Tchouikina, S. 2010. The Crisis in Russian Cultural Management: Western Influences and the Formation of New Professional Identities in the 1990s–2000s. The Journal of Arts Management, Law, and Society, 40(1), pp. 76-91

Wolfram, G., Sandrini, M., 2016. Teachers for Life. Empowerment of refugees to teach and share knowledge. Berlin: BoP-Publishing

Henze, R., and Wolfram, G., ed., 2013. Exporting culture. Which role for Europe in a global world? Berlin: Springer Verlag

Wolfram, G., ed., 2012. Kulturmanagement und Europäische Kulturarbeit. Bielefeld: transcript Verlag